Breguet recreates Churchill's pocket Watch No 765 for 'Darkest Hour'

Breguet – Breguet recreates Churchill’s pocket Watch No 765 for ‘Darkest Hour’ Low Price Replica

Churchill was just one of many high profile figures to select Breguet as his preferred watchmaker. A lifelong patron of the brand, Sir Winston Churchill wore his beloved Breguet No. 765, affectionately known as “The Turnip”, all his life. A replica of this exceptional rattrapante chronograph was made specifically for the film ‘Darkest Hour’ by the House of Breguet, and worn by Gary Oldman as the Prime Minister. Both the film and Mr. Oldman have been nominated for an Academy Award, taking place on Sunday, March 4, 2018 in Los Angeles.

The original Breguet No. 765, sits proudly on view at the Churchill War Rooms in London, as part of the Imperial War Museum, still in perfect working order. The replica created for the film is on display at Breguet Beverly Hills Boutique during the pre-Oscars week and will be exhibited at the Breguet booth at the Baselworld Watch & Jewellery Show in Switzerland from March 22-27, 2018.

Breguet recreates Churchill's pocket Watch No 765 for 'Darkest Hour'

Breguet No. 765 © Breguet

The Breguet No. 765, with minute repeater and split-second seconds hand, was commissioned in 1890 by Churchill’s grandfather, John Spencer-Churchill, the 7th Duke of Marlborough. It became Churchill’s favourite timekeeper but it was not his only Breguet. Churchill was a frequent visitor to the House, sometimes to make purchases and other times to have his pieces serviced. Like many men of his stature, the pocket watch was favoured over the wristwatch, which was becoming fashionable and considered the more practical choice by today’s standards; yet as a testament to Abraham-Louis Breguet’s keen eye for refined aesthetics, the unmistakeable Breguet style codes engineered in the 18th century continue to be honoured today. His design aesthetic is undoubtedly timeless as demonstrated by the current collections and notably the Classique Collection – the modern gentleman’s wristwatch of today. 

The Classique Collection exemplifies the watchmaking ideals of precision, clarity, and elegant lines; while Churchill’s pocket watch was laden with a heavy gold waistcoat-chain and a secondary small case for holding gold sovereigns, today’s pieces are ultra-thin, modern and sleek. Remaining true to the technical principles, artistry and the traditional values of the House, today’s wristwatches continue to showcase the revolutionary inventions of Abraham-Louis Breguet.   

Hailed for anticipating the modern chronograph (an invention that dates back to 1820) it can been seen today on a variety of models including: the Classique 5287, Marine 5827 and the Heritage 5400. 

Another important Breguet invention and movement that can be found in the Breguet No. 765, is the minute repeater. Having invented the gong spring in 1783, Breguet has continued to develop this movement in the constant pursuit to perfect this invention. An exceptionally useful invention, it was adopted immediately by most contemporary watchmakers who admired Breguet’s multiple striking mechanisms for repeating watches, in particular for the quarters, half-quarters and minutes. 

Today’s wristwatches not only showcase the historical artistry of the House of Breguet, but simultaneously epitomise the style of the modern gentleman. 

Breguet recreates Churchill's pocket Watch No 765 for 'Darkest Hour'

In September, 1999, the Swatch Group bought Breguet Watches Fake Replica in an investment group. It was the fantasy of the late Nicolas G. Hayek to own the brand. Hayek has been known to be absolutely obsessed with Breguet and often referred to his favorite new as the “Jewel of the Swatch Group.” Then he decided to generate a replica of the first solely predicated on written descriptions and drawings made through the pocket watch’s design and structure. Reproducing the 160 pocket watch into what’s the Breguet 1160 Marie Antoinette using just written and visual guides is among the most talked accomplishments in modern watchmaking. Remember the romance of the original? It had been commissioned by a fan of Marie Antoinette for her, back in 1783. It was finished afterwards she (and Breguet himself) died, and it represented what many argue was the pinnacle of Breguet’s lifework: to unite complications with everlasting beauty and mechanical fascination.The video further above is from the 2008 Baselworld watch trade show event where Nicolas G. Hayek is personally presenting the watch. It is just a few months following the 160 made headlines after being discovered again in late 2007. Even the wooden box produced for it was a marvel, using wood from a special tree made famous by Marie Antoinette that Breguet reportedly bought for something like 7 million Euros. If I recall correctly, the tree fell over naturally, but the condition upon which Versailles would sell the shrub to Breguet was whether it “donated” money for its restoration of the famed French palace.At 63mm broad in 18k gold, the Breguet 1160 Marie Antoinette attempted to replicate the initial 160 in every way possible from the complications into the crystal made of natural rock crystal. Along with the time and incorporating automatic winding, the Breguet 1160 Marie Antoinette pocket watch has a perpetual calendar, chronograph, minute repeater, thermometer, power reserve indicator and much more special technical characteristics which even today stay remarkable; all with a skeletonized, dial-free design.

Breguet

Typography: Roman numerals – Those crazy Roman numerals Replica At Best Price

In another article I showed how the typography of numerals on a watch dial helps to build up the identity of a brand. In addition to the shape of the numerals, two other design choices have to be made: Arabic or Roman numerals… or no numerals at all (either hour markers or nothing at all).

This article is concerned with Roman numerals. You might think that Roman numerals are always chosen to show classicism, but you would be wrong! They are very graphic: they are never simply sticks with different extremities.

Mr. Hayek senior started the Swatch Group in the 1980s, and is often credited with “saving” the Swiss watch industry during the quartz catastrophe. His passion lives on today, as his grandson, Marc Hayek, is that the CEO of this company.Hayek senior allegedly hated the fact that the whereabouts of the 160 Marie Antoinette pocket opinion were unknown. He then decided to generate a replica of the original solely predicated on written descriptions and drawings made during the pocket watch’s design and construction. Reproducing the 160 pocket watch into what became the Breguet Dive Watch Replica 1160 Marie Antoinette using only visual and written aids is among the least discussed accomplishments in contemporary watchmaking. Bear in Mind the love of the first? It had been commissioned by a fan of Marie Antoinette for her, back in 1783. It’s merely a couple of months after the 160 made headlines after being discovered again in late 2007. Even the wooden box produced because of this was a marvel, with wood from a special tree made famous by Marie Antoinette which Breguet allegedly bought for something like 7 million Euros. If I recall correctly, the tree fell over naturally, but the condition upon which Versailles would promote the shrub to Breguet was whether it “donated” money for its restoration of the famed French palace.At 63mm wide in 18k gold, the Breguet 1160 Marie Antoinette tried to replicate the initial 160 in every way possible from the complications to the crystal made from pure rock crystal. Along with the time and incorporating automatic winding, the Breguet 1160 Marie Antoinette pocket watch has a perpetual calendar, chronograph, minute repeater, thermometer, power reserve indicator and more special technical features which even now remain impressive; all with a skeletonized, dial-free design.

They are easy to read even upside down and don’t have to have their orientation changed around the dial (unlike Arabic numerals). Note that the number 4 is always depicted with four batons rather than “IV” to avoid any confusion with the 6 (VI).

Let’s see how three watch brands personalise their Roman numerals.

Breguet – la pearl of precision

Fine, slender and spaced out, the Roman numerals used by Breguet are those of a measuring instrument from history. The individual characters of a number – I, V, X – are linked by their serifs so that each numeral forms a compact unit. As a small black silhouette it echoes the sublime engine-turned decoration on the dial: the Breguet numeral is the epitome of finesse and precision, a small jewel of classicism with perfect proportions. Note the human touch of the lettering whose slightly irregular serifs and rounded tips makes you think of handcraftsmanship. The large space between each numeral recalls the precision of measuring instruments, since the hand can only point to it for a very short period of time.

Breguet

Cartier – ostentatious chic 

For the brand dominated by the panther, the notion “shape your time” is not just a slogan. The brand’s iconic Tank watch has severely inclined Roman numerals, like the rays of a sun around the axis of the hands, underscoring the watch’s characteristically rectangular shape. The ostentatious numerals of Cartier are instantly recognisable thanks to the strong contrast between the deep black of the thick strokes and the slender thin strokes. This is the geometry of Art Deco, offering a clear reading of the Roman numerals.

The open-worked versions of the Rotonde are also a great example of this graphical reinterpretation of the Roman numerals: they become architectural elements like the metal profiles of a tiny typographic skylight that encloses the movement.

Cartier

Roger Dubuis – jazzy cadence

Roger Dubuis breaks new ground in the abstraction of the Roman numeral. Sans serif, the elements I, V and X look more like simple hour markers. But that isn’t all: thicker towards the outside of the dial than the inside, the numeral is deliberately deformed, like a reflection in an ice palace, so that it better fits on the circular dial. The shape is particularly drawn out on the ladies’ models, distracting you from reading them and forcing you to focus on their graphical rhythm and the jerky nature of time. Furthermore, the black and white versions of the Excalibur evoke, in a jazzy way, the keys of a piano.

Roger Dubuis

In watchmaking as in all fields, typography is essential. The right typographical choice can solve problems of legibility, build on the values that strengthen the positioning of a brand and give it its unique touch.

Noémie Oulevay is co-founder of the graphic design agency Contreforme.

https://www.linkedin.com/in/noémie-oulevay/
no@contreforme.ch

Tradition independent chronograph

Breguet – Tradition independent chronograph Japanese Movement Replica

The atmosphere is indeed thin at the pinnacle of fine watchmaking. To secure a place there a watch house must have mastered, on its own—or as it is expressed most often, “in-house”—the full range of haute horlogerie’s greatest challenges: perpetual calendars, tourbillons, repeaters, and, of course, chronographs. In Breguet’s case not only are all these found within its collections, but multiple versions of each so that there is stunning diversity in the different movements which Breguet offers for each of these complications including chronographs1. Not only is the range of Breguet’s chronographs broad, but nestled within it is the caliber 2320, as it is known internally, or 533.3, as it is known publicly, which for decades has reigned as the most honored haut de gamme chronograph movement in the world (See Issue No. 2 for the history of this caliber and its unprecedented adoption by a wide swath of Switzerland’s prestige watch houses).

Logically, Breguet Heritage Watches Replica could have rested upon these past achievements and left untouched its collection of chronographs. Instead, the halls of Baselworld 2015 were set abuzz as Breguet debuted its sixth chronograph caliber with the Tradition Independent Chronograph. This new chronograph represents far more than an enrichening and broadening of Breguet’s chronograph choices, for it presents a construction which has never been seen before and opens a new chapter in the history of chronograph evolution.

A brief tutorial in chronograph basics places this new movement in context. Essentially all of the world’s chronographs incorporate some form of switching mechanism. When the chronograph is started by the owner, universally by pushing a button, the switching mechanism is used to connect the chronograph components to the regular running train of the watch. The reverse is true when the chronograph is stopped at the end of a timing event; the push for “stop” causes the chronograph components to be disconnected from the running train. Over the past two centuries of chronograph development, watchmakers have developed and perfected a multitude of different switching systems for accomplishing this connection and disconnection. Take for example, the 2320/533.3. It employs a highly evolved column wheel/horizontal clutch system that connects the chronograph to the running movement by pivoting together two finely toothed wheels.

The Tradition Independent Chronograph has no such switching mechanism for connection or disconnection. Indeed, the starting and stopping of the chronograph takes place without any connection/disconnection from the main movement of the watch. Those two sentences, alone, emphatically make the point about just how revolutionary and new this movement is. The undertaking of its creation was the very definition of a white sheet of paper project with no carry over from predecessor chronographs.

Tradition independent chronograph

Breguet Tradition independent chronograph © Breguet

 

So if there is no switching mechanism to connect the chronograph to the running train, how can it function? The answer is found in the name, more particularly in the word “independent”. The chronograph has its own movement separate and independent from the principal movement of the watch. For connoisseurs, the presence of two separate timekeeping elements is seen at once as the Tradition Chronograph is equipped with two balance wheels (one dedicated to the chronograph, the second dedicated to the main movement), symmetrically arrayed adjacent to each other and both visible from the front of the watch. In common with all the non-tourbillon models in the Tradition collection, both balance wheels are fitted with parachute anti-shock systems. Both balance wheels share the same diameter, which bestows a visual coherence to the timepiece.

As novel as it may be to place an independent chronograph with an identically sized balance alongside the main watch, banish all thoughts that the separate chronograph movement has been built in accordance with movement convention, as Breguet Watches Price In Pakistan Replica has conceived it in an entirely pioneering way. As testament to the inventiveness of this new design, Breguet invested five full years in its development and has filed several patents covering its construction. 

Of course, the heart of the chronograph movement is a free sprung balance wheel with a Swiss lever escapement. The balance’s spiral incorporates an important historical Vintage Breguet Watches Ebay Replica invention, an overcoil. The overcoil, which consists of a curve at the terminal end of the spiral positioned above the spiral’s main body, helps ensure that the spiral will expand and contract more uniformly for better timing performance. Today, the entire industry honors this historical Breguet invention, terming this type of terminal curve a “Breguet overcoil ”. So far, that represents a standard way to approach a movement design, albeit with a healthy dose of Breguet’s modern research that has led to the development of a balance wheel fashioned in titanium and its Breguet overcoil spiral in silicium, running at, what is for a chronograph, the ideal frequency of 5 Hz, which neatly divides each second into tenths. The remainder of the chronograph’s construction opens up entirely new frontiers. 

So hewn to standard practice that watchmakers consider it universal—and it has been thus since the 1500s— the component that supplies the energy for mechanical timekeeping mechanisms to run is a barrel fitted with a spiral-formed mainspring. Not surprisingly, the main watch half of the Tradition Independent Chronograph is equipped with just such a barrel/mainspring. The chronograph half, however, has neither a barrel nor a spiral-shaped mainspring. Nor is it equipped with a crown to be wound to store energy. How then is the chronograph powered? With a straight “blade” spring. When the chronograph reset button is pushed for the return to zero, that action alone loads the spring blade with enough energy to power the chronograph. One of the key benefits wrapped up in this arrangement is instant charging of energy for the chronograph with a single button push. There is never a question of whether a barrel is sufficiently wound; the chronograph is always ready to run the moment that the start button is pushed.

Tradition independent chronograph

There are two balance wheels; here the titanium balance for the chronograph is ready for assembly © Breguet

Breguet did not leave matters there, however. Any spring system delivering energy to a balance wheel/escapement has a disability. The amount of force varies over the course of time that the spring is transmitting its energy. There is more force when it is fully charged than when it is nearly fully discharged. This is as true of a traditional barrel with a spiral mainspring as it is for a blade spring. To compensate for this characteristic of the spring, Breguet equipped the Independent Chronograph with an innovatively constructed constant force system which is integrated into the mechanism that delivers the energy to the chronograph balance wheel. This novel system is the subject of one patent.

The chronograph is equipped with two buttons, although their placement and functions depart from the usual. The button at the 4 o’clock position is used for the start. Stop, however, instead of being associated with the same button (as is the case with most chronographs), is assigned to a button at 8’clock. A restart can be commanded by another push of the 4 o’clock button. After a stop, a second push of the 8 o’clock button returns the chronograph to zero (and remember that it is this push for “reset” that arms the blade spring). Along with new assignments for the buttons, come creative mechanisms associated with each command. At the center of these new mechanisms is an inspiration from Breguet’s history, fitting, of course, as this timepiece is, after all, a member of the Tradition collection. Recalling Breguet No. 4009 sold in 1825 to Mr. Whaley (a double seconds stop function pocket watch), the Independent Chronograph is equipped with an anchor shaped chronograph control of similar form. When the start button is pushed, the anchor pivots in order to lift the hammer component that holds the position of the chronograph seconds hand and, simultaneously, frees the chronograph balance wheel. Recall that the blade spring was already armed from a previous push for the return to zero. However, the balance is not allowed to run when the chronograph is stopped as an arm is pressed against its axis, blocking it from swinging. Once that pressure from the arm is released, the balance is able immediately to start. A common behavior with mechanical watches is a delay in the starting of a balance wheel if the watch has been allowed to run down. To ensure that this does not occur with the chronograph balance, Breguet has designed the stop so that there will be tension on the spiral of the balance wheel. Thus, when the stopping arm is lifted an instantaneous start is assured every single time.

A second function of the anchor comes into play when the chronograph is stopped. The anchor is used to accomplish the return to zero of the chronograph seconds hand. A finger attached to the anchor causes a hammer to rotate bringing the hammer in contact with a classic heart-shaped cam attached to the shaft of the chronograph indicators. Chronograph aficionados know that heart-shaped cams universally are used to return hands to the zero position. Owing to their precisely calculated logarithmic shape, when a hammer is pressed anywhere along an exterior edge, that pressure always causes the cam to rotate smartly to a predefined single position, which, of course, is the zero position.

Tradition independent chronograph

The switching element for the chronograph © Breguet

 

The chronograph seconds hand reads upon a scale on the exterior dial. Since the chronograph half of the movement oscillates at 5 Hz, each second is perfectly divided into 0.1 second increments and can easily be read on the exterior dial. Echoing the symmetry of the two balance wheels of the same size poised opposite each other, the minute counter scale of one to twenty minutes is set out on an arc that mirrors that of the arc placed opposite it used for the power reserve indication of the main watch.

Generally speaking, throughout the watch industry little is said or published on the subject of chronograph precision. For most chronographs, the connection of the chronograph mechanism to the running train of the watch adds an additional load that affects the running rate of both the main time display and the chronograph itself. This does not, however, apply to the Independent Chronograph since the main watch and chronograph run separately from each other. Thus, Breguet is able to announce the precision for the chronograph. The number is astonishing: +/- .08 seconds over twenty minutes! To put that into perspective, since the chronograph divides each second into tenths of a second, a miniscule possible error of less than .08 seconds is hardly, if at all, readable.

To this point we have focused entirely upon the innovations in the chronograph portion of the watch. A few points concerning the main watch: as mentioned earlier, the main watch’s balance wheel is identical in size to that of the chronograph. It is fashioned, though, out of a heavier material, Glucydur, so that it will run at a frequency of 3 Hz. Like the chronograph, it is equipped with a Breguet balance spring in silicium. 

The Breguet grade 588 movement inside the watch works at 2.5Hz (18,000bph) using a power reserve of 50 hours. It had been designed years ago when having an “orbital” double tourbillon was quite impressive. Ever since that time, other watches have graced our courts with more complicated movements and even more tourbillons, but the caliber 588 is still impressive because of its sheer presence. It’s similar to a comparing a giant naturally aspirated V8 engine (the 588) alongside some highly tuned four-cylinder with performance enhancements (many other complicated watch movements) that might have the identical power but with a tiny overall footprint. This is a timepiece meant to wow and transfer the hearts of both the wearer and those seeing the wearer.From exactly what I can tell, the reference 5349 Breguet Dual Tourbillon simply adds on a few additional millimeters of case size to the 5347 in order to fit all of the diamonds on the case. It is certainly as manly an implementation of a pave case because you can get. No small brilliant-cut stones, just the monolithic belief of large square pieces of mobile value in your wrist.The two smaller Breguet Double Tourbillon 5347 watches in this article are new and priced at 420,000 Swiss francs for the Breguet Double Tourbillon using the translucent grey dial and 450,000 Swiss francs for the translucent red dial. Our more aptly-sized buddy with stones at the solid silver case extends up in price just a bit to 820,000 Swiss francs (a little more in dollars). When you have the money to invest (or allocate) into a timepiece such as this, you know that you’ve arrived at the stage in life were individuals should pay attention to you (or else). Thank you, Breguet, for making me feel like a king, if but for a day.

The hours and minutes are read upon a solid gold hand guilloche dial, which like other models in the Tradition collection, is placed off center. Manually wound, the main watch achieves a power reserve of 55 hours.

The Independent Chronograph is available in either red gold or white gold, both versions with a case diameter of 44 mm.

 

Every dog has its day

Chinese New Year – Every dog has its day Replica At Lowest Price

This year, a number of watch brands – they tend to be the same ones – pay tribute to the Chinese zodiac with watches dedicated to the animal of the year. They are generally given a métiers d’art treatment, and are often produced in limited series featuring the number 8 – a favourite number of the Chinese. 2018 is the Year of the Dog, the eleventh sign in the Chinese zodiac. Being born under the Sign of the Dog myself, and having two real-life examples at home, I was the obvious choice among the WorldTempus editorial team to draft this article, in which dogs feature almost more than watches.
 

The most obedient

Every dog has its day

Métiers d’Art La légende du zodiaque chinois année du chien © Vacheron Constantin

Vacheron Constantin’s dog, with its determined stare and alert posture, embodies loyalty and obedience. Hand-engraved to produce a highly realistic effect, the animal occupies the centre of the blue or bronze grand feu enamel dial decorated with foliage carved in relief to create an illusion of depth. The 40 mm Métiers d’Art La Légende du Zodiaque Chinois Année du Chien comes in red gold or platinum. It is fitted with the automatic manufacture movement 2460 G4, which displays dragging hours and minutes, days of the week and a jumping date, in four windows arranged around the dial.

The most loyal

Every dog has its day

Classico Dog © Ulysse Nardin

Ulysse Nardin’s Husky, striking a similar pose to Vacheron Constantin’s hound, looks more like a family pet, with his attentive gaze and fluffy coat, against the backdrop of a Chinese landscape. The dial is in grand feu and champlevé enamel. This Classico Dog 40 mm in rose gold, produced in a limited series of 88, houses the COSC-certified automatic UN-815 movement.C.

The most sophisticated

Every dog has its day

Petite Heure Minute Chien © Jaquet Droz

Jaquet Droz has chosen the Pekinese, a lap dog which enjoyed almost sacred status in China’s imperial court, to represent the eleventh sign of the Chinese zodiac. The four Petite Heure Minute Chien and Petite Heure Minute Relief Chien timepieces are each produced in a limited run of 28. The first two rely upon miniature painting to create a naturalistic representation of the animal against a floral background, while the other two focus on relief engraving, and use semi-precious stones including cuprite and onyx, as well as mother-of-pearl. On the back, the oscillating weight of the Jaquet Droz 2653 calibre is decorated with another dog.

The most devoted

Every dog has its day

Chronofighter Vintage Nose Art Ltd Kelly © Graham

The white dog on the Chronofighter Vintage Nose Art Ltd Kelly by Graham, Kelly’s devoted companion, is somewhat sidelined by the pin-up dressed in a traditional Chinese dress, who casually ignores the begging canine. Its position between 3 and 4 o’clock is deliberate – these are the two lucky numbers (along with 9) of those born under the Sign of the Dog.

The cutest

Every dog has its day

Classique 7145 Chow-Chow © Breguet

Breguet has chosen the most iconic Chinese breed for its Classique 7145 Chow-Chow, which features the favourite hunting dog of the emperors. The cuddly chow-chow, with its blue tongue, is engraved by Breguet’s artisans to one side of the delicate guilloché gold dial. The 40 mm white gold watch, just 8 of which will be produced, encloses the ultra-thin automatic Calibre 502.3, numbered and bearing the Breguet signature.

Our David Bredan recently visited Breguet’s fabrication in Switzerland and reports about the impressive area filled with “turning engines” which produces these dials. They’re operated by hand and need delicate finesse and years of training to have the effect right. You can see a blend of patterns and techniques on the dial of this Breguet Heritage 5410, including a lovely wave-style pattern onto the periphery of the most important round dial to help fill out the tonneau-shaped dial window.Like I mentioned, I am sure not everybody will like this dial design, but I personally think it is beautiful. Breguet uses marginally larger than anticipated blued-steel pomme-style hands that look great. This is also one of those rare cases where luminant is used on the palms in a non-sports watch by the brand new. Combining some Art Deco topics with the identifying Breguet brand DNA, the Breguet Heritage 5410 instance and dial is something rare and cool in the brand.A trade-off of the curved caseback appears to be the omission of a exhibition display caseback, which is a small shame. Breguet completes their watches and movements so well it may be considered disappointing not to view the movement. Inside the watch is your in-house-made Breguet caliber 516GG, which is an automated functioning at 4Hz (28,800 bph) with 65 hours of power reserve. The balance spring will be generated from silicon, typical of many modern Breguet calibers – which leads to overall performance and accuracy over time.Attached to the Heritage 5410 is a black or brown alligator strap fitted to a matching gold deployant clasp. There is a somewhat sporty yet old-world regality into a piece like this Breguet that I believe ought to allow it to appeal to the ideal sort of buyer capable to both afford its price, and to regularly pull it off within their lifestyle. Price for the Breguet Heritage 5410 benchmark 5410BR/12/9VV in 18k rose gold is $27,700 while the reference 5410BB/12/9VV in 18k white gold is $28,700.

The most colourful

Des montres qui ont du chien

L.U.C XP Urishi Year of the Dog © Chopard

The Akita posing in the centre of the extra-flat L.U.C XP Urushi Year of the Dog by Chopard actually comes from Japan, as does urushi, the traditional lacquer technique used on the dial, which is made in Japan. The lacquer contains minuscule iridescent flecks, which lend a luminosity to the exquisitely delicate relief painting, bringing out the minutest details of the dog’s coat and the surrounding flowers. This 88-piece limited edition in rose gold is driven by the automatic L.U.C 96.17-L movement with twin barrels and an off-centre micro-rotor, providing a power reserve of 65 hours.

The most floral

Des montres qui ont du chien

Luminor 1950 Sealand 3 Days Automatic Acciaio 44mm © Officine Panerai

Panerai’s dog might come as a surprise to anyone not familiar with the previous 9 pieces produced by the Italian watchmaker as a tribute to the Chinese horoscope. Here, realism is discarded in favour of Chinese symbolism, represented by cherry blossom. The polished steel cover protecting the dial of the Luminor 1950 Sealand 3 Days Automatic Acciaio 44 mm is hand-engraved using the ancient technique of sparsello, which involves carving channels into the base material, which are then filled with gold wire. This model, also in a run of 88, is driven by the automatic P.9000 movement, manufactured entirely in-house by Panerai.

The most discreet

Des montres qui ont du chien

Calendrier Chinois Traditionnel © Blancpain

You have to look quite hard to find the dog on the dial of Blancpain’s Calendrier Chinois Traditionnel in white gold, in a limited run of 50. It has been banished to the small window at 12 o’clock, which displays the zodiac sign of the current year. As its name suggests, in addition to hours, minutes and the Gregorian calendar we use in the West, this timepiece also supplies the main indications of the Chinese lunar-solar calendar, in which each month begins with the new moon. The automatic 3638 movement requires no fewer than 464 components to drive the various displays and manage the irregular calendar cycles. Another dog is pictured on the white gold rotor.

Reine de Naples Day/NIght

Breguet – Reine de Naples Day/Night Replica For Sale

When Abraham-Louis Breguet Watches Pre Owned Replica invented the tourbillon, patented in 1801, his conception was resolutely purposeful. All watches were subject to small rate keeping errors caused by gravity, which his invention sought to eliminate by constantly rotating the time keeping elements over 360 degrees. This was a brilliant notion, simple in its core idea, ferociously demanding of savoir-faire for those watchmakers who build them. If by reason of gravitational forces a watch would run faster in some positions and slower in others, rotating the time keeping elements constantly, passing through both the fast and slow positions, serves to average out those errors.

Maybe it’s in how the circular ends of the main hands clash using the round counterweight of the seconds, with legibility further exerted by the extended “F U” power reserve hand which stretches far too long across the dial. The whole screen is a lively “so what?!” Kind of item to me — and until you were to crush your keyboard in disagreement, allow me to calm your nerves by saying: yes, Breguet does make an extensive range of boringly perfect variations in the Classique line that do away with all this clutter.However, as this little watch would be peeking out from under a perfectly tailored cuff, following a couple of months of ownership I could envision many will wish they’d gone for the watch that had some enjoyable component there around the dialup, not just the white plain of tooth to keep everyone happy by seeing you are a part of the pack, sporting a boring watch.The power book is doubly functional as, for some inexplicable reason, the Breguet Classique 7787 offers a measly 38 hours of power reserve. The Breguet 591 DRL caliber inside is a mere 11.5 lignes broad — that is ancient watchmaker lingo for 25.9mm. At just 39mm wide, we’re taking a look at a comparatively small watch with a much smaller movement indoors and that, unfortunately, the majority of the time usually means a rather short power reserve. But the smaller motion does have one main remedying variable, and that’s the comparatively slender case profile it permits for. At least it sits nice and low on the wrist, even with all the automatic winding, power reserve, and phase of the moon signal packaged between its sapphire front and rear.

However purposeful the original invention in its establishment of new standards for chronometry, should there not be room in the overall idea of rotation of time keeping components for romance and whimsy? This is the insight that lies behind the Reine de Naples Jour/Nuit. It builds upon the core idea of a tourbillon in that it rotates the balance wheel, its spiral, and escapement over the course of a 24 hour day, but uses that rotation not only to improve time keeping precision, but to present enchanting depictions of both day and night.

The indications of day and night are, logically, built around the images of the sun and moon. Both are set upon a lapis lazuli disk. The image of the moon is the more conventional of the two as it is represented by a carved titanium disk, bearing the face of the man in the moon, which is set into the lapis. Flanking each side of the moon are gold evening stars. It is the sun, however, which is the most as- tonishing for it is represented by the balance wheel of the watch. To heighten the visual presence, the outer rim of the balance is generously wide and decorated with a guilloche pattern. Poised on either side are mother-of-pearl clouds. The lapis disk carrying the balance wheel “sun” and the nighttime moon rotates once every 24 hours. One more function was woven into the day/night display. The upper arm carrying the balance wheel “sun” is in the form of a hand which points to a 24 hour chapter ring encircling the lapis disk. Thus, there is a convenient precise indication of the 24 hour time which is artistically being shown with the sun and moon. More than a supplemental time indication, this hand actually is a key component of the movement as it serves as the bridge holding the balance wheel.

Reine de Naples Day/NIght

The concept of rotation seems almost trivial: “just turn them”. However, as is the case for any mechanism which proposes to rotate the sensitive time keeping components of a watch, even at the slow speed of one turn per day, the design and assembly imposes stern demands on the watchmaker. To begin with, Breguet’s movement designers had to develop a system which could, on the one hand, rotate the disk carrying the balance wheel (and of course carrying the decorative lapis disk) and, on the other hand, power the escapement of the watch. The solution was to build a power train running from the mainspring barrel which is split; one gear train leading to a pinion to turn the disk (which can be analogized to the “cage” (sometimes referred to as the “carriage” which is used to rotate the timekeeping components of a tourbillon) and a second branch leading to a wheel driving the escapement’s pinion . With this construction, the balance wheel is fixed onto a five spoke titanium cage with small teeth on its outer edge. Of course neither the fine teeth nor the spokes are visible from the dial side of the watch.

The novel placement of the escape wheel in the center of a rotating cage gave birth to an interesting set of design challenges. The first arises from the fact of combined rotations: the rotation of the escape wheel from the running of the watch mixes with the once a day rotation of the cage. This means that over the course of 24 hours, the combination loses 1 turn of the escape wheel. So the problem became how to correct for this “loss” of one turn. The solution was found by fitting the escape wheel with 21 teeth instead of the normal 20 or 15 teeth and fixing the frequency at 3.5 hertz. 

There was a second adaptation in the movement design which was required. The placement of the guilloche decorated balance wheel is quite close to the center mounted escape. Although the anchor is of the classic Swiss lever design, its length becomes the shortest of all of Breguet’s movements, and for that matter the shortest of all of the levers of serial produced watches in the industry. The horns of the inverted anchor’s fork, specially designed by Breguet, are fashioned in silicium as is the balance wheel spiral. 

Reine de Naples Day/NIght

From the dial side of the watch all of these complex constructions are hidden. What the owner sees is the lapis disk with its sun, moon, clouds, stars and golden 24 hour hand. Arcing across the lower third of the disk is the chapter ring for regular the 12 hour time indication. Actually, that portion of the chapter ring is a functional part of the movement as it is the upper bridge for the rotating cage. There is a bit of poetry in the combination of the 24 hour and 12 hour chapter rings as they overlap each other forming an outline of the figure eight.

As the creation of these complications should not call for sacrifices in convenience, the Jour/Nuit offers automatic winding. The elaborately decorated gold rotor featuring a carved moon face and gold sun rays rotates on a jeweled bearing system to wind the watch. In order to achieve a flat construction, without sacrificing efficiency, the winding is unidirectional.

The Jour/Nuit succeeds in being both mysterious and intriguing. Its outward appearance is deceptively simple: a classic egg shaped red gold or white gold case adorned with diamonds on the bezel and on the exterior of the hand guilloche dial and but three hands. As day becomes night, the positions of sun and moon slowly change, all the while revealing nothing of the existence of a divided power train, special running frequency, or unique location of the escape wheel. With its combination of enchanting displays and pioneering innovations in its complicated construction, the Jour/Nuit not only appeals on many levels, it secures its place as a watchmaking first.

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Valentine’s Day – Say it with a watch Replica For Sale

A holiday is an occasion to celebrate and, of course, to show that special someone that you care. February brings us St Valentine’s Day, with all its clichés and symbols. Three watchmakers have decided to produce a special Valentine’s watch.

While they all stuck with feminine shades and diamonds, each of them focused on different elements, according to their own interpretations of the holiday. Which one will be your heart’s desire?

Blancpain – Villeret Saint-Valentin 2018

This steel 29.20 mm watch created by Blancpain is an ode to love and femininity, showcasing the traditional symbols of Valentine’s Day. The second hand is a cupid’s arrow, its point piercing a red heart. This motif is repeated on the rhodium-plated yellow gold oscillating weight, which is decorated with a heart pierced by sun rays and a cupid’s arrow. The lucky owner of this watch can enjoy the scene through the sapphire back.

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Villeret Saint-Valentin 2018 © Blancpain

In addition to the symbols, the watchmaker has also chosen the colour of love. This limited 99-piece edition comes with a red alligator strap, echoing the hue of the rubies that decorate the dial at 3, 6, 9 and 12 o’clock. These four rubies are joined by 19 brilliant-cut diamonds scattered over the mother-of-pearl dial, each in its own star setting, a technique in which the gem is held in a metal piece. These jewelled accents continue onto the bezel and lugs, which are decorated with 48 and 20 diamonds, respectively. There’s even a diamond in the crown.

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Case back view © Blancpain

The watch features a moon phase display as well as the hours, minutes and seconds indicated by openworked sage leaf hands. Blancpain has updated the complication, placing it at an unusual angle in the 6 o’clock position. The moon has a woman’s face, complete with enigmatic smile and beauty spot. Is there a secret message?

Bovet 1822 – Château de Môtiers 40 « Bouquet de Fleurs »

Flowers are a traditional Valentine’s Day gift. Why not do something a little different this year, and offer flowers in a different form? Unlike a real bouquet, the advantage of the flowers in this miniature painting on white mother-of-pearl is that they will never fade.

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Château de Môtiers 40 © Bovet 1822

Bovet 1822 has used the successful floral motif to decorate the dial of its exclusive Valentine’s watch. The latest watch in the Château de Môtiers 40 collection uses an innovative technique in which luminescent material is added to the paint, making it visible both day and night. The work is demanding – the painter has to work skilfully to ensure that the picture is exactly the same, in the light and in the dark. So, while the image remains identical, the colours differ. In this model, brighter colours such as yellow grow darker in the absence of light.

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Château de Môtiers 40 © Bovet 1822

The floral dial is set in an imposing 40 mm red gold case, framed by a diamond-set bezel. A purple alligator strap completes this two-handed watch, driven by a self-winding mechanical movement with a 42-hour power reserve.

Breguet – Classique Phase de Lune Dame 9085

In honour of Valentine’s Day, Breguet Watch Models Replica has chosen to present an updated version of the Classique Phase de Lune Dame, limited to 14 pieces in reference to the date. This classically feminine timepiece features a fascinating gem-set bezel, which combines graduated soft pink sapphires and sparkling diamonds. The shades are mirrored on the pin buckle that closes the satin-finished alligator strap in graduated shades of pink. The lugs are deliberately asymmetrical, set with sapphires at 6 o’clock and diamonds at 12.

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Classique Phase de Lune Dame 9085 © Breguet

The rear of the watch shows a view of the movement of the foundation plate which has some stunning engravings of the night sky complete with the ground. The picture makes it look like our world sits right next to some sort of nebula made up of watch gears. Breguet can make that back plate larger to seem to take up the vast majority of the situation from the 5347 since the plate occupies nearly all of the situation back with all the gears themselves taking up less space in the middle. The backplate is bigger so that the motion doesn’t look small on the giant 5349 case. It is not even possible that revealing the gears there’s necessary, but that is done for aesthetic reasons to further imply the mechanical nature of this ultra-status item.Breguet actually presented three new “on-order” Breguet Double Tourbillon watches for 2016, and each of these focuses on a hand-operated guilloche machine-engraved dial. This Breguet Dual Tourbillon 5349 has blue enamel within the dial, making for a beautiful contrast, as gloomy always goes well with platinum and diamonds. This is also, in my most humble of opinions, a visual improvement to the all-diamond-set dial of at least one previous 5349 model.For contrast attraction, in this article you will see both the Breguet 5347 and the bigger Breguet Double Tourbillon 5349 on my wrist. While the 5347 makes for a stately, albeit comfortable daily double tourbillon wearing experience, the Breguet Double Tourbillon 5349 is what you want in your wrist when constructing the generals. Along with being 50mm broad, with large lugs, the case is 18.65mm thick – which isn’t that terrible, actually. On the fitted alligator strap with diamond-set Breguet folding buckle, then the Breguet Dual Tourbillon 5349 can sit snugly from the wrist. You just have to be comfortable with lugs that may stand out beyond the borders of your wrist. I would be ready to deal with that size issue to go through the continuing majesty of wearing a wristwatch that apparently does the impossible by speaking louder than me despite lacking a mouth of any sort.

Inside the 30 mm white gold case sits the self-winding calibre 537L with 45-hour power reserve, which can be admired through the sapphire case back. The iconic “hollow apple” Breguet Watches Uk Replica hands in blued steel point to Roman numerals, and rotate around the white mother-of-pearl dial, whose natural variations are reminiscent of clouds. The moon phase complication at 6 o’clock gives the timepiece a final romantic touch. The smiling moon surrounded by stars appears and disappears behind a pink mother-of-pearl heart as the satellite waxes and wanes, while the small seconds hand twirls at the centre of a pink lacquered disc.

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Editor’s picks – A selection of jewerly watches Perfect Clone Online Shopping

Jewelry watches artfully mingle watchmaking and jewelry expertise. Whether entirely or partially set with gems, or featuring gold meticulously crafted like lacework, these sublimely elegant timepieces are often look more like jewelry creations than ordinary watches. An opportunity for artisans to give free rein to their creativity and display the full scope of their art.

Graff
Snowfall (black satin strap and et diamond-set dial)

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Snowfall © Graff

This dainty model from the eponymous collection lives up to its name with a flurry of snowflakes represented by brilliant or triangular-cut diamonds (5.31cts) sprinkled over the bezel and the black surface of the satin strap whose color echoes that of the dial.
Price : CHF 155,000

Chopard
For You Watch

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For You © Chopard

Crafted in white gold and entirely set with pear-cut diamonds (8.1cts) and brilliant-cut diamonds (4.3cts), this delightful floral watch belongs to the For You collection which celebrates cherry blossoms through a variety of jewelry models matching the timepiece.
Price : CHF 184,990

Tiffany & Co.
Dragonfly High Jewellery watch

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Montre Haute Joaillerie Dragonfly © TIffyna & Co.

Like so many other Breguet Watches Los Angeles Replica watches, the 7787 balances its smaller diameter with some unnervingly straight lugs which are just the ideal length — that the designer managed not to make the lugs a compensatory component, something which generally still occurs too often on otherwise fine looking instances. As such, the 7787 is a relatively little view by 21st century view criteria, but it still has enough presence to seem elegant — rather than apologetic. Most manufacturers tend to struggle greatly either when it comes to making these layouts look great extended to above forty wide — which is just the nature of proportions — or with timid-looking, miniature watches rather than This Breguet is neither stretched, nor shy. It’s only about right.Breguet hands meet Breguet numerals on the dial and that alone is a solid recipe for success. Just both of these components are similar to the signature or even a fingerprint of a genius. It’s something which has been created centuries ago and has been working in excellent harmony since. Kudos to Breguet for not butchering the hands but keeping them the proper length — public service announcement: palms should at all times attain their individual tracks, not point at them!Things get cluttered when the other 3 indications enter the image — those would be the seconds hand, the phase of the moon display, and the power reserve indication. Strangely, I do not mind this unorthodox design to get a dress watch. Dress watches, and particularly those that follow the dress watch code as strictly as this one tries, are more often than not worn on dreary long days where everyone is wearing the same sort of clothing and shoes and ties and watches and speaking exactly the same sort of talk to one another. I know today somehow it’s trendy to wear derby sneakers with coaching shoe bottoms (a vomit-inducing disgrace, in my opinion), so if you are to perform by the “business attire” rule book, you might as well opt for something which stays classy but also puts a smile on your face every once in a while.

Part of the fauna and florathemed Blue Book 2017, this one-of-a-kind creation set with 729 brilliant-cut diamonds and 290 light blue sapphires totaling 12.49 carats features a snow-set Grand Feu enamel dragonfly.
Price : CHF 150,500

Piaget
Altiplano Double Jeu Dentelle sur or (38 mm)

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Altiplano Double Jeu Dentelle sur or, 38mm © Piaget

This resplendent creation set with 52 brilliant-cut diamonds (2.30cts) has been revisited by the artisan Sara Bran, who has adorned the upper module of this limited-edition watch with a gold lacework motif incorporating 12 marquisecut diamonds (1.60cts).
Price : CHF 131,000

Audemars Piguet
Diamond Outrage

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Diamond Outrage © Audemars Piguet

The latest member of the Haute Horlogerie trilogy, this standout creation resembling an explosion of stalactites is snow-set with 9,923 brilliant-cut diamonds (50.06cts) and 354 baguettecut diamonds (15.85cts).
Price: CHF 1,238,000

de Grisogono
Luna S10 (pink gold)

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Luna S10 © de Grisogono

This dreamy timepiece glows with a pink gold case adorned with 162 diamonds (7.50cts), a dial entirely covered with 157 snow-set diamonds (3.85cts), as well as a gemset folding clasp (3.60cts).
Price on request

Bulgari
Serpenti Seduttori

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Serpenti Seduttori © Bulgari

 

Depicting a serpent with pear-cut ruby eyes and topped by a cabochon-cut sapphire, this fascinating watch is set with baguettecut and brilliant-cut diamonds embellishing the case, the bracelet, as well as the dial nestling inside the precious reptile’s fangs.
Price: CHF 403,000

Breguet
Perles Impériales Haute Joaillerie

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Perles Impériales © Breguet

A tribute to Empress Josephine, this exquisite model is graced with a case embellished by brilliant-cut diamonds, diamond hourmarkers and a briolette-cut diamond on the crown (totaling approx. 6cts), as well as an Akoya pearl at 6 o’clock.
Price: CHF 111,000

Winston Churchill and the watch brand

Breguet – Winston Churchill and the watch brand Replica Guide Trusted Dealers

The House of Breguet Touch Watch Replica recently hosted an exclusive private screening of the movie “Darkest Hour” one month ahead of its official release on January 12th 2018. For the purposes of this film with Gary Oldman as Churchill, a replica of the N°765 pocket watch bequeathed to Sir Winston Churchill was created.

The key media in the UK which were present at the event in London had the opportunity to see the replica of the watch worn by the former prime minister, a passionate devotee of Breguet Watch Xxi Replica timepieces, who was never apart from his N°765, known as the “Turnip”. Alongside the replica, the Classique collection has been put in the spotlight through the presentation of several emblematic creations. Hosts of the evening also learned of the strong relationship between Churchill and Breguet.

Breguet debuted the Breguet Watches Review Replica 1160 Marie Antoinette “replica” back in 2008. I covered the narrative, with a lot more background information regarding the original Breguet 160, its own narrative, loss, and eventual recovery. If you’re interested in this story, I highly recommend checking out that article because the narrative of the reference 160 Marie Antoinette timepiece is one that all watch fans should know.More so, a number of elements of the history, both long ago and contemporary, of the 160 continue to a degree mostly unknown to the public. It is really a pure coincidence that Breguet unveiled the Breguet 1160 Marie Antoinette pocket watch just weeks after the first 160 was discovered. Now, the Breguet 160 Marie Antoinette “first” pocket watch is on display in the L. A. Mayer museum in Jerusalem, Israel. It’s more than likely the very precious horological thing in existence.I cite the aforementioned coincidence because many people mistakenly believed that the brand released the Breguet 1160 Marie Antoinette due to the re-discovery of the 160. This isn’t right. Breguet had been secretly working on replicating the 160 for about five years up to there. The contemporary Breguet brand is named for its first founder Abraham-Louis Breguet. Often known as the “grandfather” (or father) of contemporary watchmaking, the Breguet brand lasted for many generations through various relatives following his death.In the 1980s Breguet was introduced to existence in its own modern iteration through a new group of investors mostly separated from the original Breguet family (however, now, parts of the original Breguet family are a part of their new again). It was watch maker and designer Daniel Roth who shaped the modern look of the brand’s wrist watches being motivated by historical Breguet pieces. Just something like 5,000 Breguet watches and clocks were produced during Abraham-Louis Breguet’s lifetime.

Winston Churchill and the watch brand

© Breguet

After this preview showing in England, Breguet organized a soiree dedicated to the movie in New York City. The event gathered VIP clients and journalists to show the brand’s strong ties to Sir Winston Churchill. After the screening, guests discovered the most recent creations of the Manufacture.

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Silicon in the watch industry – The great all-rounder Low Price Replica

Silicon is an extremely common element in the earth’s crust, where it is found in the form of oxides. The pure form (>99%) of silicon dioxide (SiO2) was the catalyst for the electronic and computer revolution from the 1970s to the 1990s. Thanks to its semi-conducting properties, it opened the door to the development of microprocessors. This is the universe in which silicon came of age, before the watch industry began to take an interest, and decided to get in on the act.

In the 2000s, the CSEM laboratory launched a research programme with the aim of exploring the qualities of monocrystalline silicon, which resulted in the registration of a patent in 2002. A consortium of watch brands (Rolex, Patek Philippe and Swatch Group) then became associated with the programme, and secured a licence to manufacture and use these patented silicon technologies in watchmaking applications. At around the same time, in 2001, Ulysse Nardin launched a watch with a silicon escapement, the Freak.

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Girard-Perregaux Echappement Constant L.M. © Girard-Perregaux

When it is pure enough, and has undergone a fabrication process in a “clean room” very similar to the kind of environment used for micro-processor manufacture, silicon is light, elastic and has shape memory. It is anti-magnetic and corrosion resistant, remains stable when subject to temperature changes, is extremely smooth, and therefore generates very little friction and suffers virtually no wear. For lubrication, all that is required is the ambient humidity of a watch workshop. And finally, it is manufactured via the DRIE process. It can be shaped into whatever form is required, even the most outlandish and improbable, and mass-produced. Its main disadvantage is that it breaks if subjected to stress in the wrong dimension (vertically, for a horizontal piece, for example).

The main application for silicon is in a watch escapement. The balance spring, lever and anchor wheel are the three components that benefit the most from its properties. It is there that issues such as weight, expansion, magnetism and friction are the most significant, and can cause the most damage. Rolex uses silicon for the balance springs of its women’s watches, using the trade name Syloxi. Patek Philippe uses it under the name of Silinvar, primarily for its Spiromax balance springs, but also for the other components in its Advanced Research limited editions, which pioneer the use of innovative components and techniques, some of which are subsequently introduced in its current models.

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Patek Philippe Advanced Research, the new Spiromax balance spring © Patek Philippe

The Swatch Group distributes silicon components to almost all its brands, whatever their price positioning. Breguet uses them – in fact, it was a pioneer – and so does Tissot. Finally, Ulysse Nardin and Sigatec produce escapement components in industrial quantities, which are then supplied to anyone who wants to use them. Ulysse Nardin itself first and foremost, but also other brands that are not members of the above-mentioned club.

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A sheet of silicon balance springs by Sigatec © Ulysse Nardin

The impetus for adoption was primarily technological. Mass production methods had to be created for use in the watch industry. This was translated into simple, flat and generic shapes. After all, a pallet wheel doesn’t need any exotic geometry to work. The same goes for a balance spring, whose spatial characteristics are well known. But there was a second phase, which is still going strong, that turned to the exploration of new shapes.

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Breguet © Breguet

One of the advantages of silicon is that it is easy to prototype. It is made using a process that resembles drawing an outline on a sheet of paper, which makes it easy to simply change the drawing and put it back in the furnace with all the other designs. It is a far cry from the complex design, casting, tempering, shaping and machining of steel alloy, and it’s what makes it possible to play around with silicon, and exploit all its qualities.

This is how we have come to see some incredible, uncategorisable shapes. In 2008, we had Girard-Perregaux and its Constant Escapement, which featured a component in the shape of an extraterrestrial butterfly between the pallet and the anchor wheels, which enhanced energy transmission. The company turned out to be a pioneer in the use of flexible componentry, espousing a principle that has since gained amazing traction in the industry. Ulysse Nardin came next with its Ulysse Anchor Escapement, which had similar benefits but with a more compact geometry.

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Le tourbillon d’Ulysse Nardin Classic Ulysse Anchor Tourbillon © Ulysse Nardin

In 2017, Zenith benefited from the joint research of the CSEM and TAG Heuer, culminating in the introduction of the Zenith Defy Lab. Here, the silicon component isn’t merely functional, it’s also demonstrative. Because of the many roles it has to play, it occupies almost the whole surface of the dial. This system uses a single piece to perform the functions normally executed by the entire regulating organ, and all at a frequency of 15 Hz.

Feel free to disagree, but I find some playfulness within this 7787. Maybe it’s in the way the curved ends of the main hands clash using the circular counterweight of those seconds, together with legibility further exerted by the extended “F U” power book hand that stretches far too long across the dial. The whole display is a lively “so what?!” Type of thing to me — and before you were to smash your keyboard in debate, let me calm your nerves by saying: yes, Breguet does create a vast assortment of boringly perfect variants in the Classique line which eliminate all this clutter.However, as this small watch would be peeking out from below a perfectly tailored barbell, after a few months of ownership I could envision many will wish they’d gone to the watch that had some enjoyable element there on the dialup, not only the white plain of tooth to keep everybody happy by viewing you’re a part of the pack, sporting a dull watch.The power book is doubly functional as, for some inexplicable reason, the Breguet Classique 7787 provides a measly 38 hours of power reserve. The Breguet 591 DRL quality interior is a mere 11.5 lignes broad — that is ancient watchmaker lingo for 25.9mm. At only 39mm wide, we are looking at a relatively compact watch with a much smaller motion inside and that, unfortunately, the majority of the time means a rather short power reserve. But the smaller motion does have one principal remedying factor, and that is the relatively slender case profile it permits for. At least it sits nice and low on the wrist, in spite of the automatic winding, power reserve, and stage of the moon indication packed with its sapphire front and back.
Silicon has become omnipresent in watches. It is being considered as a replacement for some of the other springs, such as the barrel springs, which could benefit from its easily controlled and durable elasticity. It can be used to create highly complex multidimensional shapes, like the square and cloverleaf-shaped wheels of the Maurice Lacroix Masterpiece Square Wheel. It can also be used to coat metal pieces, thus reducing friction. It can be welded, and coated in monocrystalline diamond. The list goes on, and new applications are continually being found.

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Maurice Lacroix Masterpiece Square Wheel Cube © Maurice Lacroix

The origins of the

Breguet – The origins of the Grade 1 Replica Watches

After two difficult years spent in Switzerland in the immediate aftermath of the French Revolution, Abraham-Louis Breguet Watches Chicago Replica returned to Paris in the spring of 1795. His company, established on the Quai de l’Horloge on the Ile de La Cité, required complete reconstruction and he spared no effort in reorganizing his workshops and winning over a new clientele. The following year, brimming with new projects and innovative ideas, he began introducing creations that are powerfully echoed in the “Tradition” line launched in 2005

The masterpiece of simplicity behind the “Tradition” line: the souscription caliber (1796)

Known for having created the most complicated watches of his era, Abraham-Louis Breguet was also the man who created the simplest watch ever made, dubbing it “souscription”.

The name of this watch is explained by Breguet Watches Any Good Replica himself in the brochure he had printed in 1797: “The price of the watches will be 600 livres; one-quarter of this sum will be paid when subscribing; the construction will not suffer any delay and deliveries will be made by order of subscription (…)”.

Recorded as souscription watches in the production and sales registers, they are still referred to and studied under that name by all Breguet collectors and connoisseurs.

Distinguished by its large central barrel and a going train symmetrically arranged on either side of the barrel, the souscription caliber powers a single hand serving to read off both the hours and minutes and its sparing, yet surprisingly edgy design, remains as striking today as ever.

One can well imagine that Breguet Watch 1775 Replica was proud of this type of watch and keen to see how it would match the tastes of his contemporaries. It was, indeed, the only product for which he had a document specifically printed to outline his intentions, his motivations, and his technical choices. It is fascinating to observe how Breguet puts himself in the place of his followers, meaning his customers. This introduction took place in the wake of the French Revolution and, having spent the past two years in the safe haven of Switzerland, he had doubtless realized how much society and, thus, his potential customers had changed

The first general statement of this text notes that the accurate watches were intended “ for Astronomy and the Navy”, and that watches designed for everyday use had two main flaws: they were generally of poor quality and their price was “not within reach of a majority of citizens.” The challenge, therefore, lay in offering a model that was affordable yet endowed with a degree of robustness and precision comparable or even superior to that of watches made for scientific purposes. Breguet Watches Uk Prices Replica described these watches, based upon what he, himself, referred to as a new construction, in these terms: “They are distinguished by their simplicity and by a layout that protects the escapement from serious incidents, even if the watch were to be dropped. The going train, escapement, and regulator, the heat and cold compensator are so openly positioned and so easy to grasp that the attentive observer can see at a glance (…) the harmonious workman- ship and the reliability of its functions.” After describing the regulating components and announcing a 36-hour power reserve, Breguet also wrote that these watches would have a respectable diameter of 25 lignes (meaning 61 mm) and, surprisingly enough, only one hand – immediately adding, as if to reassure readers: “This dial size ensures sufficient distance between one hour and the next so as to mark out 12 divisions that the hand sweeps past every five minutes, and which are placed in such a way that it is easy to estimate the time to the nearest minute.”. After a very short period of time for the owner to become accustomed to the dial and hand, these watches certainly do display the time in a readable way.

The origins of the

Movement of the Breguet No. 1287, subscription watch sold on 5th August 1803 to © Breguet

The secret signature, a response to fakes

In parallel with the souscription watch, Breguet introduced another practice: that of the secret signature which the master-watchmaker – faced with a broad-scale counterfeit trade – justified in these terms. “To ensure the public is not deceived by works in which I have no part, I will put a distinctive mark on the dial, executed by a machine whose effects are extremely difficult to imitate.” The machine in question was a drypoint pantograph of which the Breguet Museum has recently acquired an historical example.

I covered the narrative, with a lot more background information regarding the original Breguet 160, its story, loss, and ultimate recovery. If you are interested in this story, I highly recommend checking out this article because the narrative of this mention 160 Marie Antoinette timepiece is one which all watch lovers should know.More so, a range of elements of this background, both long past and contemporary, of the 160 continue to a degree mostly unknown to the public. It is actually a pure coincidence that Breguet introduced the Breguet 1160 Marie Antoinette pocket watch only months after the first 160 was discovered. It’s more than likely the most precious horological object in existence.I cite the above coincidence because many individuals mistakenly thought that the brand released the Breguet 1160 Marie Antoinette because of the re-discovery of this 160. This is wrong. Breguet was secretly working on replicating the 160 for about five years up to that point. The contemporary Breguet brand is known for its first founder Abraham-Louis Breguet. Often known as the “grandfather” (or dad) of modern watchmaking, the Breguet brand continued for centuries through various family members after his death.In the 1980s Breguet was brought back to life in its contemporary iteration via a fresh group of investors mostly separated from the first Breguet household (however, now, parts of their original Breguet family are part of the brand again). It was watch manufacturer and designer Daniel Roth who formed the modern look of the brand’s wrist watches being inspired by historic Breguet pieces. Just something like 5,000 Breguet clocks and watches were created during Abraham-Louis Breguet’s lifetime.

Following the French Revolution, counterfeits began to afflict the House of Breguet, a phenomenon that some may see as a reflection of an already impressive reputation, but which become more and more acute over the subsequent decades and which proved anything but a minor issue for the company at the time. The gravity of the situation is conveyed through an article written by H. Reymond in an issue of the French Journal des arts, des sciences, de littérature et de politique dated October 6th, 1809: “One cannot speak of horology without mentioning Breguet Watches Instagram Replica in the same breath. This artist has pushed the limits of the art to the extent that he can no longer be surpassed. (…). It is astonishing to see the quantity of watches circulating under his name, yet barely one in a thousand is actually made by him.” 

The souscription watch proved a commercial success and the firm sold around 700 of them, mostly between 1798 and 1805, thereby gaining new clients who subsequently purchased more complicated models. This supremely simplified watch enjoys a rightfully earned place in the study of Breguet’s work and the maestro, in an unfinished treatise he was planning to publish, wrote at length about it in the first chapter in terms that reveal an unmistakable sense of pride. One should, however, point out that the above-mentioned total figure includes another type of model, the “tact” watch, that was called a souscription à tact timepiece during its early years.

An evolved version of the souscription caliber: the “tact” watch (1799)

Three years after developing his souscription watch, Breguet Watches Dallas Replica introduced his “tact” watches that provided the possibility of reading the time by touch using an outer hand and two raised markers placed around the case. In keeping with the customs of the house, these “tact” watches were interpreted through all kinds of variations, with cases that were engine-turned or enameled (in gray, blue…) and featured touch studs in gold or composed of pearls or diamonds. In his draft treatise, he explained the idea behind them. “When we imagined the one-hand watch (…) we merely aimed to build a simple, solid, accurate model at an extremely modest price; but it could not provide a service that custom and habit have rendered almost indispensable: that of audibly repeating the time, a function that was extremely useful for telling the time in the dark.”. While this read-off mode was indeed valuable when there was no light available, it also enabled the wearer to check the time discreetly without removing the watch from his pocket, thus giving a further figurative meaning to the word “tact”. These watches were also sometimes more prosaically referred to as “watches for the blind”.

Above all, Breguet saw in this new touch-based read-off system a genuine alternative to repeater watches that were both complex and expensive to produce, even going so far as to use the expression “repeating by touch”.

The origins of the

Breguet no. 2627 © Breguet

“Tact” watches picked up the souscription caliber in a slightly evolved form. Fitted with a mobile outer hand, some of these “tact” watches also had an extremely small dial featuring one or two hands, visible on the opposite side to that of the external arrow. It was precisely this arrangement that enabled both conventional reading of the time and a chance to admire the movement, a possibility that Breguet regarded as highly desirable and is reflected in today’s Tradition watches.

In 2005, drawing upon the inexhaustible wellspring of inspiration represented by Breguet’s heritage composed of both archives and historical pieces, Nicolas G. Hayek and the design team became convinced that this layout – possible to see from a single side that which can normally be viewed only by turning the watch over – would appeal to connoisseurs of mechanical watchmaking. That is how a contemporary wristwatch came to reprise the beautiful positioning of the central barrel as well as the symmetry of the gear trains and balance, all designed more than two centuries earlier by a brilliant pioneer of both techniques and design.

The origins of the

Tradition no. 7067 with second time zone © Breguet

 Over its first ten years of existence, the Tradition line has asserted itself through its powerful originality and has been enriched by various models, ranging from simple hand-wound or self-winding models to others with dual-time or retrograde seconds, tourbillon with fusée, independent chronograph or minute repeater functions. In each case, the effortless simultaneous view of the dial and the vital components of the timepiece proves as strongly appealing today as it did historically, especially since the gray or pink color of the movement mainplate and bridges along with the silvered or black shade of the guilloché dial heightens the contrasts and endows these models with an amazingly modern touch.

This avant-garde esthetic continues to surprise and appeal to this day through a combination of this timeless design with the constant progress being made in the domain of horology as well as sometimes daring choices. Might it not be true to say that the watches of the “Tradition” line, inspired by the finest possible sources, are to be regarded as brilliantly apt illustrations of the extraordinarily subtle alchemy inherent in contemporary Breguet watches.